Ausrufzeit : ca. 16:07 (Zeitplan ohne Gewähr)
Eins von 110 Exemplaren (Gesamtauflage 170). – Das Blatt mit der Exemplarnummer vom Künstler signiert. – Auf Velin von Rives mit der Signatur Mirós als Wasserzeichen. – Mirós Gedicht wurde nach seiner Kalligraphie lithographiert, meist folgt auf zwei solcher »Textseiten« eine Lithographie. – Innen tadellos.
»›Le Lézard aux plumes d’or‹ was a book in which lithography was employed both for the fifteen illustrations and for the texts in Miro’s own handwriting. This solution, in which the author of the text was identified as soon as the book was opened, maintained a perfect balance between Miró’s firm script and the visual impact of the images.« (Rosa Maria Malet).
Cramer 148. – Mourlot 789–828. – Monod 8220
37,0 : 51,0 cm. [84] Seiten. – Kassette teils verblasst, minimal stockfleckig. – Pergamentchemise mit zahlreichen winzigen Stockflecken, innen tadellos.
english description:
With 15 color lithographs, including two double-sided ones and one on the front cover, as well as 25 monochrome lithographs, including one on the parchment chemise. Loose double sheets in the original cover, parchment chemise, and cloth slipcase.
One of 110 copies (total edition of 170). – The sheet with the copy number is signed by the artist. – On Rives vellum with Miró’s signature as a watermark. – Miró’s poem was lithographed based on his calligraphy; usually, two such “text pages” are followed by a lithograph. – Interior in impeccable condition.
»›Le Lézard aux plumes d’or‹ was a book in which lithography was employed both for the fifteen illustrations and for the texts in Miro’s own handwriting. This solution, in which the author of the text was identified as soon as the book was opened, maintained a perfect balance between Miró’s firm script and the visual impact of the images.« (Rosa Maria Malet).
Case partially faded, minimal foxing. – Parchment chemise with many tiny foxing spots. Flawless on the inside.
